Showing posts with label music theory. Show all posts
Showing posts with label music theory. Show all posts

Saturday, April 28, 2018

Youtube Comments - even The Stairwell gets Flamed

Real Flames
Every now and then on Youtube we get a slightly negative comment for a song video.

I'm not complaining; 99.9999% of the comments we receive are high praise for our music. We have met new fans and other artists and have been usefully corrected - usually in a polite manner - thanks, you!

The funny thing is that those negative comments almost always go like this:

You sing (name of song
(beautifully/wonderfully/angelically/etc
BUT the (word he thinks means "dynamics/phrasing") 
are wrong.

OMG facepalm emoji

I almost need a copy/paste answer for this one.

Dynamics (even phrasing) can be at the discretion of the Director. Period. It's called interpretation.
Our Director, Pete, with his Rock band LEGACY in 1985.
Our Director, Pete, with his Rock band LEGACY in 1985. A multi-instrumentalist, he is an expert at interpretation too.

The exception is an adjudication situation with an adjudicator who has a favourite way he likes a piece to be sung. Then you better do your homework if you want him to judge you positively.

That being said, there are common/popular versions of pieces that listeners are used to.  With that familiarity comes an unspoken consensus of the application of dynamics - especially if they are indicated in the music. If a director chooses to ignore the published song dynamics, then that director must let the "claps" fall where they may.

But, wait a minute, here's the thing bugging my posterior sensibilities today.

In the Renaissance era, Dynamics for songs were not printed on the sheet music.  My info today is from the website and pen of a well-respected expert in the field of music history, Andrea Angelini, Choral Conductor, Composer and Music Journalist.
Alla Cazza, Renaissance madrigal, no dynamic markings
Sigh. I wish commenters would do their own homework before trying to show off their "knowledge" with unpleasant "drive-by" commenting.

I figure if you can't say something good say nothing at all.  And that's from this certified whiner and complainer.

But I try.

What do you think? Are you a musician on Youtube? Feel free to post your link to your channel in the comments section along with your comment.

Yes, I sense the irony.

About The Stairwell Carollers:

Pierre Massie began our a cappella choir way back in 1977 while studying music at Ottawa U. The Stairwell Carollers are ranked among the best of Ontario choirs, having won the 2010 and 2013 OMFA competitions. 

A registered Canadian charity, we help local charities with our concert, CD and cookbook sales

Net proceeds benefit charity.

Please DONATE to support our 40th year workshops! 

Saturday, January 13, 2018

Music is Easy - Height and Length are Hard...

Pierre Massie directs and sings with The Stairwell Carollers from The tenor section.- photo, Iryna Zamchevska
Pierre, our director discusses his theory about music.

From an email conversation with David Rain, tenor and fellow composer.

"Here's a basic fact I've learned over my lifetime of doing music.

There are two technical elements to the language of music: height and length.

That's it, that's all.

It's why a computer can do it.  It's math.

What's missing is the human element - and of course, that's the biggest part of it.  Many musicians can do the technical part very well and give flawless performances that lack the human aspect.

Those performances are cold and boring.

If a musician has a handle on both - and also feels the music, those are always the best performances of all.
The Stairwell Carollers LOVE to sing - - photo, Iryna Zamchevska
The Stairwell Carollers are at the point now where we do height very well.  Height is
intervals and sustaining pitch.  The choir is pretty good at learning a melody line.  As for pitch, sure we lose some height on occasion but this last iteration of the choir is pretty amazing when it comes to keeping pitch.
Stairwell Carollers lost in song. - photo, Iryna Zamchevska
So music height is ok with us, but length is not and it inhibits our advancement substantially.  You've had first hand experience with this.  You see it every time we do rhythm work.  Some totally gave up on the stick routine when I had that workshop. It's coordination and coordination is rhythm.  Those few in the choir who have it tend to pick things up faster than most.  Others in their sections often rely on them for entries.

You often tell me that you don't know how I can sing, conduct, hear everyone and make corrections and comments all at the same time.

The key is coordination and any problem with that translates directly to a musician who has difficulty with the length aspect of music."

Pierre Massie
Pierre was just out of hospital in this photo, but totally dedicated to improving the choir's performance.
And now for a message from the altos - well not really, but I wanted to put in this cute photo of me and Manon :)
Manon and I are alto sisters - so much fun to sing with her!

Auditions Spring 2018 Ottawa Stairwell Carollers SATB

To set up your audition for the end of January, email info(at)stairwellcarollers.com


Please DONATE to support our 40th year events ! 

All Donations receive a charitable receipt.

About The Stairwell Carollers:
Pierre Massie started our a cappella choir in 1977 while a music student at Ottawa University. The Stairwell Carollers are ranked with the best of Ontario choirs, winning both the 2010 and 2013 Ontario Music Festival Association competitions. 

A registered Canadian charity, we also help local charities with our concert, CD and cookbook sales.

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